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A dedicated cinema room with a lit screen and an acoustic slatted ceiling
01 / HOME CINEMA

Bring the big screen home with a dedicated cinema room

Reference cinemas and lifestyle media rooms, designed, built and calibrated by one team. For homes across Lancashire, Manchester and the North West.

FIG. 01 / DEDICATED CINEMA
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A–Z Designed, installed, maintained
01 The proposition

Somewhere to escape to, built with care.

Sightlines, seat height, screen size, speaker placement and the acoustics of the room itself are all worked out on paper before a cable is pulled. Get those right and the room disappears.

  • Every room measured and modelled first. 
  • Speakers chosen for the volume they have to fill.
  • Seating set out so every seat is a good one.
  • A converted barn in the Ribble Valley gets a different answer from a new build in Cheshire.
A sound pressure level plot across the seating area of the same cinema room
A plan drawing of a cinema room showing sightlines, screen sizes and speaker positions
Sightlines SPL coverage
FIG. 02 / SIGHTLINE AND SPL MODELLING Drag to compare
02 What's included

What a Ribble AV cinema room includes.

Eight parts of the job, all of them ours. Room design through to the button that starts the film.

01

Dedicated cinema rooms

A room built for one purpose: acoustically treated, light-controlled, tiered, and calibrated to reference. The most demanding thing we build, and the most rewarding.

02

Lifestyle media rooms

A room that reads as living space by day and a cinema after dark. Speakers hidden in the joinery, a screen that vanishes, no black boxes on show.

03

4K and HDR projection

Projector and screen specified together, matched to throw distance, ambient light and seating position, then set up properly rather than left on a factory preset.

04

Immersive audio

Object audio laid out to the room, not to a diagram. Ceiling speakers positioned by measurement, bass managed so the neighbours stay friendly.

05

Acoustic treatment

Absorption and diffusion where the room needs it, dressed in fabric and joinery so it reads as interior design rather than a studio.

06

Tiered seating

Platforms built so the back row sees the whole screen, with cable routes, lighting and step nosing designed in from the start.

07

Star ceilings and mood lighting

Fibre-optic ceilings, cove lighting and step markers on scenes, so the room dims to the film and comes back up gently afterwards.

08

One-button control

One button starts the film: lights down, blinds closed, projector on, sources switched. Anyone in the house can use it without a lesson.

04 Our process

Five stages, one team.

The same people survey the house, draw the system, install it and look after it afterwards. Nothing is subcontracted, and nothing is programmed by someone you have never met.

Stage 01

Consultation and survey

An hour or two at the property, looking at the rooms and listening to how you use them. We measure, photograph, and note what the building will and will not allow. No charge, and no obligation at the end of it.

Stage 02

Design and specification

Drawings, a schedule of equipment and a fixed price. Every position is marked, every cable route decided, and the specification is written so your architect, builder and electrician can all work from it.

Stage 03

Project management

We hold the programme alongside the other trades, from first fix to second. Across the Ribble Valley, Lancashire and Cheshire that usually means working around a builder who is already on site.

Stage 04

Installation and calibration

Our own engineers install, dress every cable, and then calibrate to the room rather than to a factory preset. Home cinema is set up in the space it lives in, at the time of day it will be used.

Stage 05

Handover and aftercare

A proper handover, documentation, and the same phone number afterwards. Remote monitoring catches most faults before you notice them, and the person who answers already knows your house.

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05 Commercial & hospitality

Screening rooms, boardrooms, clubs and communal buildings.

The same discipline applies to commercial rooms. Hotels and members’ clubs want a screening room that feels like a private cinema rather than a conference facility, and that means the same acoustic work, the same sightline drawings and the same calibration.

For offices and boardrooms the brief is different but the standard is not: a room where the picture is legible from every seat, the microphones work first time, and the whole thing starts from one button so nobody has to phone IT before a meeting.

Commercial & hospitality work
Typical venues
01 Hotels Private screening rooms for guests
02 Members’ clubs Cinema and event spaces
03 Boardrooms Presentation and conferencing
04 Restaurants Private dining with screens
05 Communal buildings Residents’ screening and media rooms
06 Apartment blocks Shared cinema and lounge spaces
07 Developers Cinema rooms in prestige schemes
08 Common questions

Home cinema, honestly answered.

A media room done properly starts around £15,000, and a dedicated cinema room typically runs between £40,000 and £90,000. The room, the screen size and any building work drive the number. You get a fixed price at the design stage, before anyone lifts a floorboard.

A dedicated cinema room typically takes eight to sixteen weeks from design to handover. A media room in an existing house is usually two to four weeks on site. Both are staged around your builder and decorator so the trades do not trip over each other.

Both work. A dedicated room gets you light control and acoustics, which is where reference performance comes from. A living room can be excellent if the speakers are chosen for the space and the screen is sized to the seating rather than the wall.

Yes, and much of our work is exactly that. Cables are routed with care through stone farmhouses, barn conversions and listed homes across the Ribble Valley, and plaster is made good afterwards as though we were never there.

Regularly. We prefer to be involved at first fix, when cable routes and ceiling voids are still decisions rather than problems. We work to the architect’s drawings, attend site meetings, and hand over as-built documentation at the end.

A stone house lit at dusk
09 / START HERE

Let’s talk about your home cinema.

We visit, listen, measure, and come back with drawings and a fixed price. No obligation, and no hard sell afterwards.

What happens next