Skip to content
A bespoke media wall in warm oak with a concealed screen
03 / VIDEO

A clear picture, sized and placed to suit the room

Screens sized to the room, sources shared across the house, and one remote that works. For homes and venues across Lancashire, Manchester and the North West.

FIG. 01 / MEDIA WALL
★★★★★ 5.0 on Google, every review
ARTCOUSTIC Premium Partner
KNX · LUTRON · CONTROL4 Accredited
A–Z Designed, installed, maintained
01 The proposition

The right screen for the room, calibrated to it.

Most televisions are hung too high, too far from the seating, and left on the settings they came out of the box with. Getting video right is placement, mounting and calibration, so the picture looks the way it was meant to in the room it is actually in.

  • Screen height set from where people actually sit.
  • Brackets recessed so the panel sits flush to the wall.
  • Every cable inside the wall, and no box under any television.
  • Sources in one rack: one Sky subscription, one Apple TV, available on any screen.
A screen mounted flush into a minimal wall
FIG. 02 / FLUSH MOUNTING
02 What's included

What a video installation includes.

Eight parts of the job, from screen sizing through to the remote in your hand.

01

Whole-home video distribution

One rack of sources feeding every screen over structured cable, so any room can watch anything without a box on the wall.

02

Concealed and lift TVs

Screens behind mirrors, inside joinery, or on lifts that drop out of sight. Specified with the joiner so the reveal is right.

03

Outdoor screens

Weather-rated, high-brightness panels for terraces and garden rooms, powered and cabled to survive a Lancashire winter.

04

Sky and streaming distribution

Sky, Apple TV, Netflix and broadcast shared across the house, with the licensing and hardware done properly rather than fudged.

05

Screen sizing and placement

Size and height calculated from seating distance and eye level, so the picture fills the view without dominating the room.

06

Cable management

Power and data in the wall, brackets recessed into the plaster, nothing on show. This is the part everyone notices afterwards.

07

Matrix systems and racks

A ventilated, labelled rack with matrix switching, so sources and screens can be reassigned later without new cable.

08

Universal control

One remote or app for every screen and source in the house, with a layout a guest can follow at first attempt.

04 Our process

Five stages, one team.

The same people survey the house, draw the system, install it and look after it afterwards. Nothing is subcontracted, and nothing is programmed by someone you have never met.

Stage 01

Consultation and survey

An hour or two at the property, looking at the rooms and listening to how you use them. We measure, photograph, and note what the building will and will not allow. No charge, and no obligation at the end of it.

Stage 02

Design and specification

Drawings, a schedule of equipment and a fixed price. Every position is marked, every cable route decided, and the specification is written so your architect, builder and electrician can all work from it.

Stage 03

Project management

We hold the programme alongside the other trades, from first fix to second. Across the Ribble Valley, Lancashire and Cheshire that usually means working around a builder who is already on site.

Stage 04

Installation and calibration

Our own engineers install, dress every cable, and then calibrate to the room rather than to a factory preset. Video is set up in the space it lives in, at the time of day it will be used.

Stage 05

Handover and aftercare

A proper handover, documentation, and the same phone number afterwards. Remote monitoring catches most faults before you notice them, and the person who answers already knows your house.

Book a consultation
05 Commercial & hospitality

Digital signage, menu boards and sports screens.

Commercial video is a scheduling problem as much as a hardware one. Digital signage installation for retail and hospitality means screens that switch content by time of day, run unattended for months, and can be updated by a manager without a support call.

We install menu boards, video walls and sports screens for bars, restaurants and showrooms, with commercial-grade panels rated for the hours they will run, content scheduling built in, and remote monitoring so a dark screen is something we notice before the customers do.

Commercial & hospitality work
Typical venues
01 Bars and pubs Multi-screen sport, zoned audio
02 Restaurants Menu boards and signage
03 Retail Window and in-store displays
04 Showrooms Large-format and video walls
05 Offices Reception and meeting rooms
08 Common questions

Video and TV, honestly answered.

Yes. Sources sit in a central rack and are distributed over structured cable, so any screen can watch any source. It removes the boxes from your rooms and usually reduces subscriptions rather than adding to them.

Lower than most people fit them. Eye level from the seat you actually use is the rule, which for a typical sofa puts the centre of the screen around 100 to 110cm from the floor. Above a fireplace looks tidy and watches badly.

Several ways: behind a mirror, inside joinery, or on a lift that drops it out of sight. All of them need deciding early because they involve the joiner as much as us.

Proper outdoor panels do. They are sealed, rated for temperature swings and bright enough for daylight. A standard indoor television in a garden room will fail, usually in the first winter.

Yes. Menu boards, window displays, video walls and sports screens, on commercial-grade panels with content scheduling and remote monitoring so faults get spotted before your customers spot them.

A stone house lit at dusk
09 / START HERE

Let’s talk about your video.

We visit, listen, measure, and come back with drawings and a fixed price. No obligation, and no hard sell afterwards.

What happens next